QCC Theatre Auditions - Fall 2026
EURYDICE by Sarah Ruhl / Directed by Prof. C. Julian Jiménez
September 9 - 11, 2026
Auditions are OPEN TO ALL QCC STUDENTS, regardless of MAJOR
THEATRE MAJORS enrolled in performance courses (Acting I, Acting II, Voice) will audition as part of their course. THEATRE MAJORS who are not enrolled in a performance course are HIGHLY ENCOURAGED to audition. This does not require you to perform in the production.
Students cast in EURYDICE are required to enroll in the Actors’ Workshop course (TH 122/TH 222). The class serves as the rehearsal period and meets Tuesdays and Thursdays from 6:10 PM – 8:30 PM.
● Auditions are an opportunity to demonstrate how much you know about acting.
● Acting is imagining yourself in the character’s circumstances. Consider who, what, where, and when. Then communicate your circumstances through your body and voice (how).
● If this is your first audition and/or you are currently enrolled in Acting I, you are encouraged to use one of the audition sides provided by the director. Rehearse as much as you have time before the audition. It is more important to express the character’s circumstances than to recite the lines.
● If you’ve completed Acting II and/or Voice and Movement for the Actor, and/or you’ve participated in Actor’s Workshop, we expect students to audition with a memorized monologue. Ideally, you will memorize and prepare one of the sides provided by the director.
● If for any reason you are unable to memorize your text, you are welcome to hold the script. If you need to hold the script, practice acting while referencing the lines. This will help you demonstrate how much you know about acting, rather than simply reading the words on the paper.
You can find the monologues below.
EURYDICE will be performed in the Humanities Theatre this November.
Email Prof. C. Julian Jiménez for full script and with any questions at cjimenez@qcc.cuny.edu
WHEN:
DAY 1: Wednesday, September 9 at 12:15 PM
Actors will be seen one at a time in order of the time of their arrival
DAY 2: Thursday September 10 at 6:00 PM
(following Theatre Department Meet and Greet @ 4pm)
Actors will be seen one at a time in order of the time of their arrival
DAY 3: Friday, September 11 at 12:00 PM (no classes scheduled)
Actors will be seen one at a time in order of the time of their arrival
WHERE: Z-Building / Room Z-111
WHAT TO PREPARE: If this is your first audition and/or you are currently enrolled in Acting I, you are encouraged to use one of the audition sides provided by the director. Rehearse as much as you have time before the audition. It is more important to express the character’s circumstances than to recite the lines.
If you’ve completed Acting II and/or Voice and Movement for the Actor, and/or you’ve participated in Actor’s Workshop, we expect students to audition with a memorized monologue. Ideally, you will memorize and prepare one of the sides provided by the director.
REMEMBER to bring your class and work schedules with you. You will need to fill out an audition form when you arrive and will need to know your fall 2025 schedule.
Any member of the QCC community is invited to audition, regardless of their race, gender, religion, sexual orientation, or other protected characteristics. QCC Theatre maintains an equal opportunity casting policy that ensures that all individuals are considered for roles based on their talent and suitability for the part. This policy aims to create a fair and inclusive environment for our community.
Audition Sides/Monologues
Orpheus never liked words. He had his music. He would get a funny look on his face and I would say what are you thinking about and he would always be thinking about music. If we were in a restaurant sometimes Orpheus would look sullen and wouldn't talk to me and I thought people felt sorry for me. I should have realized that women envied me. Their husbands talked too much. But I wanted to talk to him about my notions. I was working on a new philosophical system. It involved hats. This is what it is to love an artist: The moon is always rising above your house. The houses of your neighbors look dull and lacking in moonlight. But he is always going away from you. Inside his head there is always something more beautiful. Orpheus said the mind is a slide ruler. It can fit around anything. Words can mean anything. Show me your body, he said. It only means one thing.
ORPHEUS
Eurydice! Before I go down there, I won't practice my music. Some say practice. But practice is a word invented by cowards. The animals don't have a word for practice. A gazelle does not run for practice. He runs because he is scared or he is hungry. A bird doesn't sing for practice. She sings because she's happy or sad, So I say: store it up. The music sounds better in my head than it does in the world. When songs are pressing against my throat, then, only then, I will go down and sing for the devils and they will cry through their parched throats. Eurydice, don't kiss a dead man. Their lips look red and tempting but put your tongue in their mouths and it tastes like oatmeal. I know how much you hate oatmeal. I'm going the way of death. Here is my plan: Tonight, when I go to bed, I will turn off the light and put a straw in my mouth. When I fall asleep, will crawl through the straw and my breath will push me like a great wind into the darkness and I will sing your name and I will arrive. I have consulted the almanacs, the footstools, and the architects, and everyone agrees: I found the right note. Wait for me.
Our Theaters
Humanities Theater: 797 seat, newly renovated, grand proscenium theater; in the Humanities Building
Shadowbox Theater: 99 seat, intimate studio theater with flexible seating; in the "Z" Building.
Technical Theatre Experiences
Each semester, we offer work calls for students to assist with painting, set, lights, sound, projections, run crew, & many more technical theatre opportunities. No experience required, we are all here to learn. For information on Backstage Crew & Work; Stage Makeup & Costume Construction; Stage Managers & Ushers contact Prof. Rothenberg JARothenberg@qcc.cuny.edu
QCC Theatre Stream
We wish we could share all our work, but cannot due to copyright protections. Please enjoy the following available productions:
The @s written & directed by C. Julian Jimenez (47 min., Spring 2022).
A Doll's House by Henrik Ibsen, adapted & directed by Arthur Adair (1 hr. 21 min., Spring 2019).
The Taming! A vaudevillian adaptation of The Taming of the Shrew by William Shakespeare, adapted by C. Julian Jimenez & Jodi Van Der Horn-Gibson, directed by C. Julian Jimenez (1 hr. 59 min., Fall 2018).
Ubu Roi by Alfred Jarry, adapted & directed by Arthur Adair (1 hr. 29 min., Spring 2017).
anOTHER by J. Julian Christopher & the Ensemble, directed by J. Julian Christopher, a.k.a C. Julian Jimenez (1 hr. 28 min., Fall 2016).
Hamlet by William Shakespeare, adapted & directed by Georgia McGill (1 hr. 49 min., Fall 2016).
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